You might call it an old story with higher stakes, but a keen sensitivity to its moral difficulties and enlivening details sets Gypsy urgently apart.
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A Slovakian character study of a boy ambivalently caught between worlds that ultimately squanders its promise.
The Hollywood Reporter by Frank Scheck
Although Martin Sulik's drama sheds light on typically unseen populations of Eastern Europe, the film, heavy on "Hamlet" allusions, may be overstuffed.
Best are the film's tender ghostly visitations from Dad, evoked with a minimum of artiness, and the authentic, impoverished locations.
This isn't a film about abstract social ills, it's about specific people in a specific place, and how they get disturbingly comfortable with theft and violence as a way of life.
The New York Times by Stephen Holden
The movie filmed with nonactors, doesn't try to counteract stereotypes of the Roma people as shiftless, thieving hustlers. But it goes a long way toward explaining the antisocial behavior.