The New York Times by Dana Stevens
Interspersing shots from the original film - many of which are justly famous for their power and complexity - with interviews, Mr. Ferraz has produced a welcome piece of historical explication.
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Brazil · 2005
1h 31m
Director Vicente Ferraz
Starring Othon Bastos, Alexander Calzatti, Fidel Castro, Luz María Collazo
Genre Documentary
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Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
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The New York Times by Dana Stevens
Interspersing shots from the original film - many of which are justly famous for their power and complexity - with interviews, Mr. Ferraz has produced a welcome piece of historical explication.
Pic's rediscovery in the capitalist U.S., and its reappraisal as a masterpiece of visual pyrotechnics, gives Brazilian documaker Vicente Ferraz's tale an upbeat final twist -- after some mid-film doldrums.
New York Daily News by Elizabeth Weitzman
A fascinating capsule of an era long past.
Chicago Reader by Jonathan Rosenbaum
Absorbing and intelligent.
Village Voice by Michael Atkinson
It's all fascinating, but must Kalatozov's careening angel of cinema be laid bare?
Though it doesn't rise above the cut-and-paste aesthetic of other making-of documentaries, The Siberian Mammoth assembles many members of the disparate Cuban cast and crew, and unearths some rare production photos and footage.
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