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A couple agree to have their deceased son cloned under the supervision of an enigmatic doctor, but bizarre things start to happen years after his rebirth.
De Niro wears a shamefaced look most of the time, as if doubly embarrassed: He agreed to a movie he knew was worthless, yet he's too lazy or indifferent to give us his best.
Despite its provocative premise, this throwback to deliberately paced, low-tech chillers of the pre-CGI era is a dreary slog through haunted-child movie cliches -- portentous dreams, glassy-eyed stares, cryptic pronouncements.
A consistently underused and often underrated actor, Kinnear gives one of those sympathetic performances that prevent you from believing the worst about a movie despite the sounding alarms.
An unsatisfying, overly restrained bore, capped off by an ending so strange and inconclusive, it feels like something you'd find on the ''deleted scenes'' portion of a DVD.
Kinnear and Romijn-Stamos appear to be vying for the title of filmdom's least-convincing married couple, while Robert De Niro, as the movie's modern-day Dr. Frankenstein, takes his own expert career slumming to a new depth -- he's become an evil clone of a once-great actor.
This thin concoction of domestic drama and thriller suspense won't hold up after the curiosity factor runs its brief course. Neither Robert De Niro nor a phalanx of a dozen producers can deliver Godsend from unintentional comedy.
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WHAT ARE CRITICS SAYING?
Christian Science Monitor by David Sterritt
ReelViews by James Berardinelli
Charlotte Observer by Lawrence Toppman
TV Guide Magazine by Maitland McDonagh
Los Angeles Times by Manohla Dargis
Washington Post by Michael O'Sullivan
Entertainment Weekly by Owen Gleiberman
Miami Herald by Rene Rodriguez
L.A. Weekly by Scott Foundas
The Hollywood Reporter by Sheri Linden