Christian Science Monitor by David Sterritt
This strikingly unusual movie is at once an old-fashioned melodrama, a boldly stylized spectacle, and a very grim fairy tale, acted and directed with originality and flair.
Brazil, Italy · 2002
Director Aluizio Abranches
Starring Marieta Severo, Júlia Lemmertz, Maria Luísa Mendonça, Luíza Mariani
Genre Drama
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Christian Science Monitor by David Sterritt
This strikingly unusual movie is at once an old-fashioned melodrama, a boldly stylized spectacle, and a very grim fairy tale, acted and directed with originality and flair.
Fresh and offbeat tale of vendetta.
New York Daily News by Elizabeth Weitzman
Abranches intends for a religious parable by way of Greek tragedy, but the film drowns in a morass of portentous signs and poetic symbols.
This Brazilian thriller blows a heck of a lot of hot air, but really doesn’t deliver on the ass-kickings it so threatens.
The film has all the pregnant pauses, exaggerated reaction shots and melodramatic scoring of an overripe telenovela, but, unlike a good soap opera, the sisters' separate story lines are clumsily balanced.
He's (director Abranches) so focused on creating a strikingly mannerist visual style that he forgets to flesh out his plot and characters.
The leaden pacing, somnambulant performances and incessant symbolism in nearly every shot will soon have you thinking that The Three Marias is three too many.
A series of third-act complications provides much-needed narrative surprise, but until then, The Three Marias is a disappointingly flavorless genre exercise.
The New York Times by Pauline Kael
Its emotional climate is too extreme to invite identification, and its characters are too single-minded in their revenge to evoke pity, terror or even much interest.
The ultimate romantic comedy.
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