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Bride & Prejudice

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United Kingdom, United States, India · 2004
Rated PG-13 · 1h 51m
Director Gurinder Chadha
Starring Aishwarya Rai Bachchan, Martin Henderson, Naveen Andrews, Daniel Gillies
Genre Bollywood, Comedy, Drama, Romance

A Bollywood adaptation of Jane Austen's classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though unfortunate circumstances and boorish opinions threaten to get in the way of romance.

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What are people saying?

What are critics saying?

70

The Hollywood Reporter by

Like an Elvis Presley musical from the '60s, filled with shiny bright colors, bouncy music and happy, smiling, pretty people.

50

Newsweek by David Ansen

This clumsy attempt to merge Jane Austen's classic with Bollywood musical conventions falls painfully flat.

70

Variety by Derek Elley

Austen nuts may rend their frocks, and Bollywood buffs may split their cholis, but there's an immensely likable, almost goofily playful charm to Bride & Prejudice that finally wins the day.

50

L.A. Weekly by Ella Taylor

It is a truth universally acknowledged that had Jane Austen lived to see the profits that have been squeezed from her most marketable premise, she'd doubtless have wept, then lobbied for her share of the royalties.

50

Village Voice by Jessica Winter

Money can't buy happiness, but as Bride and Prejudice teaches us, it can get patience in bulk from a smart young woman of a practical mind-set.

91

Entertainment Weekly by Lisa Schwarzbaum

Under the direction of "Bend It Like Beckham's" Gurinder Chadha, this festively busy and exuberantly multicultural charmer is its own intriguingly postmodern creation.

50

Dallas Observer by Luke Y. Thompson

Unfortunately, it's also pretty banal -- translating the songs into English reveals just how dull their lyrics and sentiments really are. The colors are pretty though.

50

Time by Richard Corliss

Heart and art can make a beguiling pair. Those are mostly missing in this strained hybrid, which is less Bollywood than Follywood.

30

The A.V. Club by Scott Tobias

Chadha doesn't seem at home with either Austen or Bollywood, and her ambitions far exceed her competence in the song-and-dance numbers, which are a clutter of stiff choreography and silly original lyrics.

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