80
Village Voice by Alan Scherstuhl
Thomas White's lost-and-found avant-lulu Who's Crazy? pulses with the newly possible.
What are people saying?
What are critics saying?
70
The New York Times by Glenn Kenny
The movie, shot mostly in crisp, sometimes smoky black and white, is far better, a quirky but purposeful grafting of Mack Sennett to the French New Wave. Yet it’s the soundtrack that has the staying power.
63
Slant Magazine by James Lattimer
Thomas White's is a bizarre, undisciplined romp through snowbound Belgian vistas and '60s signifiers alike.
90
The New Yorker by Richard Brody
With bold and canny camera work that yields an uproarious parody of Ingmar Bergman’s “The Seventh Seal,” White dynamites the formalist restraint of art films and the bonds of narrative logic to unleash the primal ecstasy of the cinema.