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Mugabe and the White African

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United Kingdom · 2009
1h 30m
Director Andrew Thompson
Starring
Genre Documentary

One family's astonishing bravery as they fight to protect their property, their livelihood and their country. Mike Campbell is one of the few white farmers left in Zimbabwe since its leader, Robert Mugabe, enacted his disastrous land redistribution program. Once the breadbasket of Africa, Zimbabwe has since spiraled into chaos. After enduring years of intimidation and threats, Campbell decides to take action.

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What are people saying?

What are critics saying?

80

Empire by

This is one of those documentaries that stays with you for years. The injustice infuriates and the story, simply and deftly told, breaks your heart.

80

Village Voice by Ella Taylor

As their extraordinarily brave black female attorney points out, at stake are not merely the rights of this family or indeed of all white farmers, but the future of race relations and human rights in Africa.

60

Time Out by Eric Hynes

The film clandestinely captures marauders in action while embedding itself in the imperiled home of aging farmer Michael Campbell. He's not the movie's ad hoc martyr, but something more compelling: a simple man whose fight for personal justice has matured into patriotism.

80

Los Angeles Times by Gary Goldstein

Though much of the movie was shot in secret to protect the filmmakers, Bailey and Thompson managed to create a remarkably vivid portrait of a land and its people, while bringing us two unforgettable heroes in Campbell and Freeth.

80

NPR by Mark Jenkins

The documentary is powerful, as far as it goes, but would be stronger if the filmmakers had been able to follow the story further.

70

The New York Times by Mike Hale

The courses of colonialism and racial strife were radically different in America and Australia than they were in Africa. That doesn't make Mr. Freeth's cause any less just, but it does mean that Mugabe and the White African needs to be approached with care.

80

Variety by Ronnie Scheib

The documentary sometimes bears an eerie resemblance to Claire Denis' brilliant "White Material" in its tense evocation of menace stalking the periphery of the frame.

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