Nothing that makes much sense in Sue Clayton's strained fable about friendship, betrayal and the escapist dream of disappearing in the midst of a miserable patch of life. [17 Mar 2000]
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An ambitious and sloppy, yet occasionally likeable, cross-European fable.
Brit filmmaker Sue Clayton's muddled feature bow is full of intriguing ideas and incidental charms that fail to come together into a cohesive whole.
Village Voice by Jessica Winter
[Rhys Meyers] remains trapped in an enervating road movie - shelved so long that Rhys Meyers still appears to have baby fat - summed up when Finbar, who turns up in Finland (natch), asks whey-faced Danny, "You couldn't find anything better to do than to come find me?!"
New York Post by Jonathan Foreman
Part of the problem is that the Finbar character is both underdeveloped and unattractive - you don't get a sense of why anyone would miss him, let alone go searching for him in the snow. [17 Mar 2000]
The beautiful ice-blue landscapes are really the only reason to sit through this rambling and rather silly first feature by writer-director Sue Clayton.
The New York Times by Lawrence Van Gelder
Acted by an appealing cast, enlivened with well-chosen and varied music and filmed with bleak beauty by the cinematographer Eduardo Serra.
The Globe and Mail (Toronto) by Liam Lacey
Narrative-driven and determinedly unpredictable, The Disappearance of Finbar is true to its mandate as a mystery story to a fault. [18 Jul 1987]