The New York Times by Anita Gates
It does have the feel of farce at times, but much of the time it just seems determined to shock.
Greece · 2003
1h 40m
Director Thanasis Papathanasiou, Michalis Reppas
Starring Nena Mendi, Maria Kavoyianni, Akilas Karazisis, Joyce Evidi
Genre Drama
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In the small, closed community of a provincial town, Magda tries to maintain a balance within a family facing many serious problems. The families apparently normal, bourgeois, every-day life will crack open, bringing to the surface hatred and passions of the kind that lie well-hidden in the mists of the nearby lake. An intense plot and a totally unexpected ending make up this film, which features characters who are vulnerable, innocent and ordinary, but who become ruthless and callous, worrying only about protecting their financial resources. The offences are disproportionately serious compared to the financial benefits they try to secure
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The New York Times by Anita Gates
It does have the feel of farce at times, but much of the time it just seems determined to shock.
New York Daily News by Elizabeth Weitzman
There are moments of amusing melodrama, but for the most part, the action is too preposterous to take seriously, and too serious to be very much fun.
It's a mean-spirited exercise in stilted outrageousness.
Los Angeles Times by Kevin Crust
Blackmail Boy reaches for tragedy but settles for soap opera.
TV Guide Magazine by Maitland McDonagh
Black comedy requires perfect pitch: Pedro Almodovar has it and cowriters/directors Michalis Reppas and Thanasis Papathanasiou don't, at least by the evidence of this film.
Village Voice by Melissa Anderson
Curiously, Blackmail Boy's alternate title is "Oxygen"--and by film's end, you'll be gasping for it.
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The Greeks have a word for Blackmail Boy: boring.
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