80
Tanna has a warm, shimmering vitality. Like the trees and the birds, the frame feels alive.
What are people saying?
What are critics saying?
50
The film blends the Bard with National Geographic, failing to make a case for the inexplicability of their union.
90
The Hollywood Reporter by David Rooney
Told with captivating simplicity and yet richly cinematic, it combines ethnographic and spiritual elements in a haunting love story with classic undertones, affording a glimpse into a little-known culture.
90
Screen International by Fionnuala Halligan
It’s a beautiful odyssey with strong spiritual undertones.
50
The New York Times by Glenn Kenny
Despite its best efforts, Tanna drifts into a mode of exoticism that renders it an ultimately frustrating experience.
80
Dean doubles as cinematographer and his ability to unobtrusively capture moments of village life is matched for an eye for the natural beauty the tribe lives amidst. But it's a beauty which never drowns the film. There's also room for jokes and gossip, nastiness and fun.
80
Los Angeles Times by Kenneth Turan
Most surprising are the involving performances of all concerned, but especially the pair playing the young lovers, actors with finely expressive eyes and faces.
80
Subtly visualizing the connection shared between the land and its people (and their interior conditions), Tanna proves rich in both sociological detail and roiling emotions.
90
The pic weaves fascinating details of tribal life into a universally accessible and emotionally affecting romantic drama.
75
Washington Post by Stephanie Merry
The movie is a tremendous accomplishment, especially considering that the cast had never seen cameras before — much less movies — yet still agreed to star in the drama. Their performances are as stunning as the setting, and that’s truly saying something.