Vicky Cristina Barcelona

Village Voice by

Allen has crafted a wry and thoughtful film about the peculiar stirrings of the heart that is certainly his most accomplished piece of work since 2005's "Match Point" and arguably his funniest in the eight years since "Small Time Crooks."

The New Yorker by David Denby

Allen can be literal-minded about his thematic polarities, but, in this movie, he has put actors with first-class temperament on the screen, and his writing is both crisp and ambivalent: he works everything out with a stringent thoroughness that still allows room for surprise.

New York Magazine (Vulture) by David Edelstein

Ought to have been an eye-roller. What a surprise that it's so seductive. The Woodman lives!

ReelViews by James Berardinelli

An atypical Allen film. Some of his usual themes are present - in particular, his neuroses about sex and love - but this movie does not bear enough Allen hallmarks to single it out as his work.

Charlotte Observer by Lawrence Toppman

Allen's laziness is startling, even in so mechanical a filmmaker. He uses a monotonous narrator to tell us what the characters think and do, though he then shows them performing the actions that have just been described.

Chicago Tribune by Michael Phillips

I enjoyed it as much as any Allen film of the last 20 years.

Rolling Stone by Peter Travers

Woody Allen's sexiest movie ever.

The A.V. Club by Scott Tobias

Through it all, Vicky Cristina Barcelona remains unaccountably romantic, a confirmation that love, elusive and painful as it can be, is still worth pursuing.

Philadelphia Inquirer by Steven Rea

Smoking, shouting, practically shooting off sparks, Cruz spreads a wildfire sexuality across Allen's sunny tableau of Catalan country picnics and scenic Barcelona ramblings.

Variety by Todd McCarthy

Offers potent romantic fantasy elements for men and women and a cast that should produce the best commercial returns for a Woody Allen film since "Match Point."