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When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him. Met with indifference and negligence at every turn, Sonia’s desperation triggers a primal survival instinct as a series of increasingly violent confrontations unfold.
Raluy, a Mexican TV and stage star making her movie debut, is captivating as a woman whose terror at her own behavior is matched only by her bewilderment at the system around her.... But the real star here is Plá, with his total control of the frame.
The movie deserves to be known, first of all, as a terrific example of intelligent, captivating film craft—further proof of the recent strength of Mexican cinema.
Tempering the strong medicine of its social-justice protestations with a streak of outlandish melodrama, this “Monster” may not have quite as many facets as its title implies, but Pla’s formally deft manipulation of perspective keeps the pic both urgent and even-handed.
It’s worth seeing just for its object lesson in how shifts in perspective can radically alter the tenor and meaning of material that might otherwise come across as pompously silly.
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WHAT ARE CRITICS SAYING?
Village Voice by Bilge Ebiri
The Hollywood Reporter by Boyd van Hoeij
Slant Magazine by Clayton Dillard
New York Post by Farran Smith Nehme
RogerEbert.com by Godfrey Cheshire
Variety by Guy Lodge
CineVue by John Bleasdale
Screen International by Lee Marshall
The A.V. Club by Mike D'Angelo
The New York Times by Stephen Holden