75
The documentary takes an equivocal stance, implying that just because a film should not be shown doesn't mean that it should be banned.
What are people saying?
What are critics saying?
80
Anyone with an interest in the intersection between film history and world history, or in the psychological powers of narrative cinema, should see Forbidden Films.
75
New York Post by Farran Smith Nehme
The on-camera experts make intelligent, earnest points, but the Web means there’s no such thing as a real ban. Indeed the movies have always been available, as two former neo-Nazis point out.
70
The Hollywood Reporter by Frank Scheck
While the onscreen debate about the issues occasionally proves a bit dry, there's no denying the inherent twisted power of the films themselves.
70
The New York Times by Nicolas Rapold
This is a documentary fascinated with and fearful of cinema’s potency, but it’s also devoted to the idea of open discourse, a stance that underlines the urgency of thinking about film critically.
80
Contemporary issues pale before the fascination exerted by the generously sampled films themselves, executed throughout with masterful classical film vocabulary.