As a dance flick, Shag suffers from an unexciting dance-style and so-so choreography but compensates with a fine young cast and likable story.
We hate to say it, but we can't find anywhere to view this film.
What are people saying?
What are critics saying?
The picture is heartfelt and naive in ways that seem totally secondhand. The questions it asks -- This boy or that boy? Should I or shouldn't I? -- have been played out in countless other coming-of-age films, from "Where the Boys Are" to "Dirty Dancing." And though the palpable enthusiasm of its creators carries you further into the film, and further into the lives of the four friends than you might otherwise go, it is eventually replaced with a sense of weariness at the worn-thin material.
Easily the best thing about Shag: The Movie is its soundtrack, which combines newer music with such golden oldies as ''Easier Said Than Done,'' ''Up on the Roof'' and the ever-weird ''Alley Oop.'' These tunes (some of which are performed by the 15-member Voltage Brothers) do a lot to keep the mood light and to cover the lapses in the narrative, of which, you can be sure, there are more than a few.
Chicago Sun-Times by Roger Ebert
It has a charm based on its innocence, its conviction, its pre-Beatles soundtrack and the big 1950s cars the kids drive around in.
Los Angeles Times by Sheila Benson
An utterly pleasant surprise...Lordy, is it tenderly acted, with an unyielding spine of honesty to all its characters.
The New York Times by Stephen Holden
Long before the film is over, one is left frustratedly grasping after characters and an ambiance that have evaporated into formulaic freneticism.
There's some likable energy to the performances and a strong soundtrack, but the lack of sustained dancing make this more of a nostalgic fantasy than a proper musical, whereas 'Shagging' itself seems far too complicated to catch on.