What happens after the wedding comprises a full three-quarters of Bier's epic, whose near-Biblical twists and turns--I wouldn't think of giving them away--are enough to fill four weepies.
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What feels at first like a quiet, straightforward picture builds into one of the richest and most satisfying of the year so far, in any genre or any language.
Evidently, this bloated piece of Oscar-nominated nonsense was a big hit in Denmark, which makes me think there's a glittering future in that otherwise discriminating country for several seasons of "Days of Our Lives."
A thrilling -- and harrowing, and beautiful -- celebration of the unpredictability of life.
With a third-act twist that outdoes that initial revelation, the film turns out to be a thoughtful exploration of paternity and responsibility. Much of the film's success lies in Bier's sensitive direction, but credit is also due to the fine cast, particularly Mikkelsen.
After the Wedding would never pretend to have any answers, but in hands this skilled the act of exploration itself couldn't be more illuminating, or more dramatic.
Talented filmmaker Susanne Bier (Brothers), armed with an outstanding compositional sense, keeps control over the storms of melodrama that swirl in this rich weepie.
A fine and, on a scene-by-scene basis, often better than fine, if effectively unadventurous work.
Once again Bier demonstrates just how misleading appearances can be, as she artfully removes the veneers concealing the dark truths locked away by her intriguing characters.