Amidst turmoil and racial conflict in a Francophone African state, a white French woman fights for her coffee crop, her family and ultimately for her life.
Yet in the end it's less the climactic madness and mayhem in White Material that sear the memory than it is the silent, balletic creep of child soldiers, grabbed out of school and sent with machetes and rifles through a forest to exact revenge for decades of repression.
A lean and hungry thing. With the sparest of storytelling, the French filmmaker ("35 Shots of Rum") devours her audience, swallowing us up in a yarn that is as enigmatic as it is engrossing.
While White Material is very much the story of this one woman, it is also a story of postcolonial Africa, a place where Europeans staked their claim, and where disorder and destruction upended everything. A mournful, frightening, powerful film.
What sustains the film is its tone of almost hallucinatory foreboding. White Material isn't about the calm before the storm but the seconds before the deluge.
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WHAT ARE CRITICS SAYING?
NPR by Ella Taylor
Chicago Reader by J.R. Jones
Washington Post by Michael O'Sullivan
Chicago Tribune by Michael Phillips
San Francisco Chronicle by Mick LaSalle
Empire by Patrick Peters
Boxoffice Magazine by Richard Mowe
Chicago Sun-Times by Roger Ebert
Philadelphia Inquirer by Steven Rea
Boston Globe by Ty Burr