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Das Boot

War correspondent Lt. Werner is assigned to German submarine U-96 during World War II. Documenting life on the boat, the crew is constantly trying to entertain themselves as they journey home and deal with consistent attacks, storms, and dwindling resources.
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WHAT ARE CRITICS SAYING?

90

Salon by

Absolutely devastating filmmaking that makes you simultaneously feel the glory and the absolute futility of war. [Director's Cut]
60

Chicago Reader by Dave Kehr

The film has no qualities beyond its formal polish--and its careful avoidance (or rather, displacement) of the moral and political issues involved can seem too crafty, too convenient.
75

San Francisco Chronicle by Edward Guthmann

A visually spectacular film, distinguished by strong performances and brilliant Steadicam photography that snakes through the U-boat as its patrols the North Atlantic during World War II. [Director's Cut]
100

ReelViews by James Berardinelli

Takes all of the drama and suspense inherent in a submarine-based story and delivers it in a near-perfect package, establishing Das Boot as not just a terrific adrenaline rush, but one of the best movies ever made. [Director's Cut]
75

The Globe and Mail (Toronto) by Jay Scott

As torpedoes shoot through the seas and depth charges pass by, carrying their whining cargo of destruction, Das Boot brings the presence of death to within a whisper of the eardrum.
100

The A.V. Club by Keith Phipps

At once a devastating condemnation of war and an exciting action film...The additional running time only adds to Petersen's masterfully bleak, claustrophobic atmosphere. Das Boot is by no means a pleasant experience, but it's an intelligent and emotionally gripping one that you won't forget. [Director's Cut]
89

Austin Chronicle by Marc Savlov

One of the most suspenseful films of all time, its wartime action setting makes it easy to forget it's also one of the most spiritually righteous. [Director's Cut]
83

Entertainment Weekly by Owen Gleiberman

Sweaty and claustrophobic, exciting and horrifying at the same time, it never lets us forget we're riding aboard a giant, primitive tin can, a hunk of industrial machinery that mingles the illusion of omnipotence with the reality of a floating prison cell. [Director's Cut]

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