Decider by Meghan O'Keefe
Yet another spectacularly bold, absolutely brilliant, and shamelessly brash season of television, but it’s also darker, grander, and more culturally relevant than any season of the show before.
Critic Rating
(read reviews)User Rating
Creators
Mickey Down,
Konrad Kay
Cast
Myha'la,
Marisa Abela,
Harry Lawtey,
Conor MacNeill,
Sagar Radia
Genre
Drama
At a cutthroat investment bank in London, a group of recent graduates compete for a limited number of permanent roles. As the pressure mounts, so does risk taking and drug use, and the group finds themselves blurring the lines between work, friendship, love, and competition.
Decider by Meghan O'Keefe
Yet another spectacularly bold, absolutely brilliant, and shamelessly brash season of television, but it’s also darker, grander, and more culturally relevant than any season of the show before.
The Observer (UK) by Barbara Ellen
The writing and performances here are the equal of Succession and The White Lotus. Industry has always been a good (sharp, audacious) show. Now it’s great.
The Guardian by Jack Seale
Industry returns with the pedal pressed down, with all the things that make it great intensified and sharpened. Goggling at it is more of a rush than ever.
i by Isobel Lewis
Some TV shows are worth significantly raising your heart rate for: this is one of them.
The Telegraph by Benji Wilson
It is just as cool and confident and brazen (and sweary and explicit) as before, and yet considerably more significant. If Succession needed an heir, then here it is.
The Playlist by Rodrigo Pérez
In season three, “Industry” soars, proving itself to be HBO’s must-watch show, worthy of sitting next to all its heavy hitters, “House Of The Dragon,” “True Detective,” etc.
RogerEbert.com by Kaiya Shunyata
While there’s a clear evolution happening, everything that initially made “Industry” one of the best shows of the decade still remains intact. It not only allows the series to grow but forces it to become the most impressive version of itself.
i by Chris Mandle
An even more compelling portrait of a debauched workplace, with greater character development and some cardiac-arresting set pieces.
The Guardian by Hannah J Davies
Industry boasts some excellent writing. ... But its greatest strength is bringing all of its elements together in a moreish package where relationships – friendly, romantic and work-oriented, three categories that frequently overlap – are constantly in flux and the tension is ever-rising.
The Independent by Patrick Smith
Sometimes it’s very funny, but at other times it’s plain cruel. Underneath the spiky and unfamiliar exterior, though, is a beguilingly original series that ought to mark the launch of several major careers, not least those of its creators, barely into their thirties, for whom this is a precocious debut.
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