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Korea · 2016
2h 25m
Director Park Chan-wook
Starring Kim Min-hee, Kim Tae-ri, Ha Jung-woo, Cho Jin-woong
Genre Drama, Romance, Thriller
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During the Japanese occupation of Korea, Sook-Hee, an orphaned Korean pickpocket, is hired by the wealthy Lady Hideko to serve as her handmaiden. Unbeknownst to Lady Hideko, Sook-Hee is scheming to con her lady out of her inheritance — but both women discover some unexpected passions as a two-sided seduction unfolds.
Given the nudity on show, some are already quick to criticise Park’s direction as gratuitous and to claim that his male gaze is affecting the depiction of lesbian romance. But the impotency of the male characters helps to counter this while the sex scenes themselves, as lovingly shot as they might be, feel vital to the narrative.
The Hollywood Reporter by Deborah Young
Expectations are fully met in Park Chan-wook’s exquisitely filmed The Handmaiden (Agassi), an amusingly kinky erotic thriller and love story that brims with delicious surprises, making its two-and-a-half hours fly by.
By replacing the class system of Victorian England with the dynamic of the occupier and occupied, Park has tapped into something uniquely complex about a chapter of history that is rarely explored. There is a deep, festering malady at the heart of The Handmaiden, exacerbated by idle fantasy, cultural projection and denial.
No matter its overarching ridiculousness, The Handmaiden remains a hugely enjoyable dose of grotesque escapism from a master of the form.
The Film Stage by Giovanni Marchini Camia
Those familiar with Park’s earlier work will know that he’s hardly the most subtle of filmmakers, and his approach to gender politics here is risible, even self-contradictory. His customary prowess as a stylist and knack for constructing and navigating intricate plots, on the other hand, is once again put to good use.
An intensely pleasurable, lavishly shot dessert tray of utter hokum, The Handmaiden is a prime example of why we should be glad that there’s someone out there still invested in the overwrought Gothic melodrama, and that that person is Park Chan-wook.
The film reveals its twists and turns with a delicate hand and always manages to stay one step ahead of the audience, even as most of those watching will surrender to the hypnotic erotic charge that runs through the film.
It’s sybaritic, cruel and luridly mesmerizing.
It’s hard to pinpoint the precise moment at which The Handmaiden, Park Chan-wook’s deviously kinky period thriller, shifts from being a lascivious slice of art-house delirium to a gruelling, dislikable contraption which meretriciously sells out its source material. But that’s what happens.
Screen International by Wendy Ide
The film manages the tricky feat of both staying true to Waters breathless, page-turning prose, and creating a wholly persuasive new milieu for the story.
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Please login to add films to your watchlist.
15 years of imprisonment, 5 days of vengeance...
It's time for beautiful Lee Guem-ja's revenge.
Blood must be shed after a kidnapping goes wrong.
A daring, nuanced story of the investigation around the man reported to be South Korea’s first serial killer, who was uncaught at the time of the film's release.
An entomologist suffers extreme psychological and sexual torture after being taken captive by the residents of a poor seaside village.
A priest finds himself torn between faith and bloodlust.
An introverted girl dealing with her father's death turns her down a dark, twisted path.
After her werewolf lover unexpectedly dies in an accident, a woman must find a way to raise the son and daughter that she had with him.
A thrilling and complex story of violence, blackmail, and bad luck.
A man who perceives everyone as having the same voice and face falls for a unique woman.
When Marianne invites a former lover and his teenage daughter to visit her and her husband on vacation, the couple is threatened by jealousy and dangerous sexual scenarios.
Woo-Jin, who wakes up in a different body every day, falls for Yi-Soo, a girl at a furniture store.
Martial law is declared when a mysterious viral outbreak pushes Korea into a state of emergency.
Is it better to speak or die?
Everyone has a truth they want to believe.
Be careful what you unleash
Zain, a hardened 12-year-old boy struggling to survive on the streets of Beirut, sues his parents for his conception.
Marianne, a painter, is commissioned to do the wedding portrait of Héloïse, a young woman who has just left the convent.
A detective investigating a mysterious death finds himself both suspecting and falling for the dead man's wife.
Every time you think you know what will happen next, Park Chan-Wook proves you wrong and it's incredible. Also a rare example of a psychological lesbian thriller with a happy ending!
A film I’m very glad to have watched — and watched alone, especially. The story is told in three fairly clean segments that all draw from and add upon the last, and their separation helps the viewer maintain sight of the film’s many threads, even as they criss-cross over each other. Some of the violence feels sudden and disjointed, as do the sex scenes, but THE HANDMAIDEN clearly holds Park Chan-wook’s signature.