Uppercase Print(Tipografic Majuscul)

Variety by Jessica Kiang

In Uppercase Print, the fangs of the past are sharp, but muzzled.

Screen Daily by Jonathan Romney

Working with Carbunariu, Jude offers a spare, visually striking evocation of the methods of Ceausescu’s secret police, the Securitate, in its pursuit and punishment of a young dissident.

The Guardian by Peter Bradshaw

It is a fierce and impassioned denunciation of evil.

The New Yorker by Richard Brody

Jude, with his multiple dimensions of inquiry and imagination, poses philosophical questions about conscience and consciousness, media consumption and social order, that reach far beyond the case and era at hand to challenge the deceptions and delusions of ostensible present-day democracies.

The Hollywood Reporter by Stephen Dalton

This may be one of Jude’s minor works, but it delivers a quietly devastating emotional punch.

Slant Magazine by William Repass

The film metatextually insists that we not be taken in by new, more sophisticated methods of obfuscation.