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Really interesting to watch this film before American Honey. Arnold provides an unflinching look at class divides, without trying to ascribe a moral narrative; each shot is treated with the same thoughtful and meticulous care.
Fish tank may begin as a patch of lower-class chaos, but it turns into a commanding, emotionally satisfying movie, comparable to such youth-in-trouble classics as "The 400 Blows." [18 Jan. 2010, p. 83]
Arnold's first feature, "Red Road" (2006), centers on another outsider, a woman who monitors security cameras. The film is formally brilliant, but it doesn't have the breathtaking openness of Fish Tank.
A grimy kitchen-sink melodrama with an Ajax cleanser script: The muck is all surface, the turmoil cleanly shallow and contrived, though never less than gripping.
The film belongs to Jarvis, however, and she makes the most of it with expressive features that convey Mia's mixed-up emotions from raging temper to sweet vulnerability. She will go far.
WHAT ARE PEOPLE SAYING?
Really interesting to watch this film before American Honey. Arnold provides an unflinching look at class divides, without trying to ascribe a moral narrative; each shot is treated with the same thoughtful and meticulous care.
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WHAT ARE CRITICS SAYING?
Village Voice by
Salon by Andrew O'Hehir
The New Yorker by David Denby
New York Magazine (Vulture) by David Edelstein
Time Out by Keith Uhlich
Entertainment Weekly by Lisa Schwarzbaum
The A.V. Club by Noel Murray
The Hollywood Reporter by Ray Bennett