Call Me Jonathan

Faced with the discovery of videographic archive material from them childhood, Bárbara Lago reprograms them childhood's mythology and reflects on them body traversed by affections, fictions and the passing of time. In these intimate materials, they finds a possibility of thinking about dissident sexualities, the relationship between technology and the human body, language and childhood. The images capture what cannot be named and prepare for the possibility of a fragmented and subjective metamorphosis. Yon/John/Ion is the body outside of social domestication. How does such a body grow in our contemporary societies?