Big Man Japan(大日本人)

San Francisco Chronicle by

But the film written, directed and starring stand-up comic Hitoshi Matsumoto has, like most superheroes, a tragic flaw: It isn't funny.

Salon by Andrew O'Hehir

Matsumoto isn't the first Japanese director to go all meta on the superhero tradition (consider also Takashi Miike's 2004 "Zebraman"), but this work of improbable lunacy may well max out the genre.

New York Daily News by Joe Neumaier

When a movie is this strange, it's gotta count for something.

Austin Chronicle by Marjorie Baumgarten

The effects are reasonably well-created, though hardly transparent. The last 15 minutes of the film spins out into unimaginable realms. Fans of this kind of stuff will leave smitten; those accompanying them to the theatre will have a pretty good time too.

The New York Times by Nathan Lee

The most impressive special effect here is Mr. Matsumoto's hilariously restrained performance, a tour de force of comedic concision in a movie bloated by increasingly surreal developments.

New York Post by V.A. Musetto

At nearly two hours, Big Man Japan is clever (in a sick sort of way) but overlong. It needs judicious editing -- more mockumentary, fewer superhero antics.