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Five friends venture into the unknown wilds of the Texas borderlands to document the environment before a wall is built. As the wilderness gives way to the bustling Rio Grande Valley, they encounter the unexpected and enter uncharted emotional waters.
Director Ben Masters’ compelling, gorgeously shot, super-timely documentary The River and the Wall should be required viewing of anyone charged with making a public case for or against a border wall between the United States and Mexico.
The River and the Wall” comes on as innocent and glossy as a travelogue, but its scenic delights are the sugar coating on a passionate and spectacularly photographed political message.
By the end of this epic and thoughtful expedition, you’re left with the unmistakable feeling that some things – in this case, the natural splendor of the Rio Grande ecosystem – should and indeed must remain unsullied by cheap Washington grandstanding and election year promises.
The sweeping footage they captured is moving in its beauty. But the real reason for the film is “reason.” Ben Masters’ movie talks to stakeholders — ranchers, Border Patrol agents, experts on patterns of migration and immigration along the U.S./Mexico border and members of Congress. And none of them think this wall thing is a very good idea, for reasons ranging from the impracticality of it and the lack of utility (It won’t do the job.)
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WHAT ARE CRITICS SAYING?
Los Angeles Times by Gary Goldstein
The New York Times by Jeannette Catsoulis
Austin Chronicle by Marc Savlov
Movie Nation by Roger Moore