Jazz of Lights

"In this film, realism is transmuted into fleeting impressions, into an ephemeral flow of sensations. I tried to record each shade. In the reflection of the illuminated signs, each discoloration is the result of the movement of the distortion and the overprints. I used processes that blurred facades or objects to reveal their new forms, similar to those that appear to an observer whose sensitivity is bubbling. The use of superimpositions brought much to the phantasmagoria of the film's images. These images could thus amalgamate like the notes of a musical composition, and flow into one another, sometimes to become pure images and pure rhythms...." - Translated with Google