Summer Solstice

The operations that dislocate a film like Summer Solstice–I hope irreparably–from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure–the intrigue, possibly–of attempting to retrieve the manner in which it was done while one is watching.