Rough-hewn, sincere and completely unpretentious, "Watani: A World Without Evil" uses blunt, efficient strokes to paint parallel portraits of two men with families --- one black, one white --- who lose their jobs on the same day in Paris. Using very little dialogue and blanketing the proceedings with music from rap to blues, pic, blown up from digital video, is extremely uneven but packs a wallop when the elements coalesce.
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