This unpretentious comic tale of a youngster's growing relationship with a long-absent father has a surprising rhythmic genius: joy juxtaposed with humiliation, silliness with sadness, fantasy with reality, and none of it formulaic. The editing feels fresh, as does the film.
What are people saying?
What are critics saying?
Slant Magazine by Andrew Schenker
Less concerned with rendering the specifics of its setting (a small Maori town on the New Zealand coast) than in calling on bouts of whimsy and superficial cultural signifiers to approximate the headspace of its central characters.
New York Daily News by Elizabeth Weitzman
Waititi retains his quirky style, but it feels meaningful here, a valid effort to explore the difficulties in coming of age during tough times.
Boy needn't be pop-culturally fluent to be relatable; believable human characterizations would have sufficed.
Los Angeles Times by Gary Goldstein
Writer-director and co-star Taika Waititi ("Eagle vs Shark") never builds much momentum for his largely uneventful if sometimes inventive story.
Wall Street Journal by Joe Morgenstern
Mr. Waititi, a popular standup comic in New Zealand, is wonderfully droll and entertaining in this acting role, which isn't all that far, geography and culture notwithstanding, from Steve Zahn at his stoner best.
This charming kid's-eye movie, full of comical and vivid detail about the lives of these cheerful children, has the loose, lanky feel of a memoir and of French New Wave films.
Village Voice by Melissa Anderson
The abundant charm of first-time actor James Rolleston, playing the 11-year-old of the title in Boy, doesn't quite save the aimless, nostalgia-woozy second feature from Taika Waititi (2007's Eagle vs. Shark).
In its third act, this funny, bittersweet, tonally assured coming-of-age story grows unexpectedly poignant as Rolleston comes to realize he doesn't need a super-cool buddy or co-conspirator in his misadventures. He needs a father, and Waititi's stunted man-child is fatally unsuited and unqualified for that role.
Christian Science Monitor by Peter Rainer
It's a lovely oddity, and one that will probably hit home for preteen audiences all over the world.
In his second film, Waititi explores topics that he revisits in later works—family, childhood, the lives of misfits—in low-budget, quirky simplicity. Moving and funny in the matter-of-fact way of children, and thoroughly enjoyable.
This movie is very moving while being simple and consistently funny. Taika Waititi has a great way of balancing pretty silly comedy with genuine, sincere emotion. It's a short and straightforward, which helps the viewer focus on the characters' feelings and growth.