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The Aftermath

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United Kingdom, United States, Germany · 2019
Rated PG-13 · 1h 48m
Director James Kent
Starring Keira Knightley, Alexander Skarsgård, Jason Clarke, Martin Compston
Genre War, Drama, Romance

In the aftermath of World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German widower who lives with them.

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What are people saying?

Ting Shing Koh Profile picture for Ting Shing Koh

In the midst of war, there is always love. Although The Aftermath may not present the most original storyline, the actors' performances and chemistry were definitely what kept me hooked throughout the film.

What are critics saying?

40

The Telegraph by

Unlike certain past ventures of Knightley’s, there’s little or no sense of us being given a Big Performance, and she’s often rather moving as a result.

42

The Playlist by Andrew Bundy

The Aftermath is simply another period melodrama that knows exactly what it is, and that just isn’t quite enough, especially when one considers the leading star’s career oeuvre.

58

IndieWire by Eric Kohn

None of the pretty imagery or impassioned lovemaking can break free of a mopey old formula that sits on every scene with the same schematic quality that makes its weary setting so familiar from the start.

60

Screen Daily by Fionnuala Halligan

The Aftermath works best when looking at the bewildered people who have been left behind, literally, to pick up the pieces. The savage loss of family members still reverberates through empty rooms and ruined landscapes.

60

Variety by Guy Lodge

The result is attractive and diverting, as any well-appointed film starring these actors in mouthwatering period finery could hardly fail to be — though for a story about people rebuilding their lives through grievous personal loss and moral torment, it’s hard not to wonder if its vast reserves of enviable knitwear are counting for more than they should.

60

Empire by Helen O'Hara

The bones of the story have been played a million times, but a talented and committed cast make this swoonsome rather than samey.

40

The Hollywood Reporter by John DeFore

Where it might have been an old-fashioned melodrama with credible historical appeal, instead it suggests an old-school celluloid epic whose print has lost a reel or two.

37

TheWrap by Robert Abele

Director James Kent’s adaptation of Rhidian Brook’s 2014 novel — about a ghost-like Germany, a broken British marriage, and the healing powers of a passionate thaw — has the unfortunate quality of a hot-blooded soap grafted onto rather than merged with a historical-political drama.

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