Testament is full of bad jokes (like a man repeatedly throwing himself from great heights to prove he won't die) and, in spite of Groyne's grave, determined presence as Ea, is borderline offensive.
The Brand New Testament(Le tout nouveau testament)
✭ ✭ ✭ ✭ Read critic reviews
Belgium, France, Luxembourg · 2015
1h 45m
Director Jaco Van Dormael
Starring Pili Groyne, Benoît Poelvoorde, Yolande Moreau, Catherine Deneuve
Genre Drama, Comedy, Fantasy
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God lives in Brussels. On earth though, God is a coward, with pathetical morals and being odious with his family. His daughter, Ea, is bored at home and can't stand being locked up in a small apartment in ordinary Brussels, until the day she decides to revolt against her dad...
What are people saying?
What are critics saying?
Striking a balance between the dark and combative religious humour and its more saccharine elements proves difficult.
Time Out London by Cath Clarke
This is a film with a big heart and an even bigger imagination.
Screen International by Charles Gant
With the consistently playful, often delightful and frequently funny God fantasy The Brand New Testament, the Belgian auteur delivers his most substantially enjoyable film since 1991’s Toto The Hero.
The Hollywood Reporter by Deborah Young
It is irresistibly laugh-out-loud and feel-good.
Slant Magazine by Diego Semerene
At first, the film’s dark humor is amusing, only for it to wear off once an actual plot kicks into motion.
Lovely to look at, charmingly played throughout, and with a sense of fun that is more playful than subversive, The Brand New Testament is a bouncy treat: not so much heresy as whimsy, with a smooth matte finish and a mischievous grin.
The Guardian by Jordan Hoffman
The Brand New Testament is a peppy, original and (importantly) very sweet story.
While the ultra-clever first act stockpiles sufficient admiration from audiences to sustain the film, the bulk of The Brand New Testament concerns itself with Van Dormael’s most persistent preoccupation: the tug-of-war between fate and free will.
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