Collide

IndieWire by David Ehrlich

Never quite sure where to put his cameras, Creevy attempts to compensate by placing them everywhere, and cutting between them as if at random.

The Hollywood Reporter by Frank Scheck

The dark humor feels forced and artificial, especially when tied to the utterly ludicrous plot machinations

The A.V. Club by Ignatiy Vishnevetsky

Like a distracted driver constantly missing his highway exit, Collide keeps passing on opportunities for action in favor of patience-straining exposition.

Slant Magazine by Keith Watson

It's difficult to begrudge a film that has the good sense to put so much stock in Ben Kingsley's hammy theatrics.

Austin Chronicle by Marc Savlov

In the end, Collide is a cheap genre product produced with an eye on foreign market box office. Wake me when Dominic Toretto torques his way into Havana.

RogerEbert.com by Nick Allen

Hand-in-hand with its bleeding-heart nature, Collide has the ballsy idea of making a serious action movie about a fool in love, but that just becomes one of its many bungled stunts.

Los Angeles Times by Noel Murray

The action sequences are strong, with spectacular crashes and explosions, dynamic camera moves and tight cuts that at times give the film an appealing breathlessness. But the cast takes a too-lax approach to this material.

We Got This Covered by Robert Yaniz Jr.

A cast of reliable performers slum it in this by-the-numbers action thriller.

Movie Nation by Roger Moore

It’s a stupid, ill-plotted heist picture, but Collide does have its moments.

TheWrap by Sam Fragoso

Collide has been sitting on the shelves for over three years; no need to get up now and see it.