It's admirable that Kore-eda sets himself new challenges each time he makes a film, but the attempt to conjure substance from conversations improvised around a complicated and obscure back-story in Distance proves fairly unrewarding.
Distance(ディスタンス)
✭ ✭ ✭ Read critic reviews
Japan · 2001
2h 12m
Director Hirokazu Kore-eda
Starring Arata Iura, Yûsuke Iseya, Susumu Terajima, Yui Natsukawa
Genre Drama
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On the eighth anniversary of a cult's failed chemical attack on Tokyo and their subsequent mass suicide, family members of those affected gather at the cult's former base on the shores of a lake to observe the anniversary of their loved ones' deaths.
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There’s almost none of the generous, involving humanity (and warm humor) of the previous film, nor any clear take on the personalities in the slackly structured script, largely improvised by the actors.
Washington Post by Michael O'Sullivan
The film's exploration of loss and the gulf of time and memory that separates us from our pasts is beautifully and subtly handled by Kore-eda. But it is his concern with the sometimes insurmountable distance that lies between knowing and not knowing why we do the things we do that is the filmmaker's true -- and most profound -- subject. [2 April 2004, p.T47]
The Hollywood Reporter by Michael Rechtshaffen
While the endless introspection may be therapeutic for those involved, it's not so wonderful for the innocent onlooker, who's subjected to the ponderous musings of the emotionally catatonic group while a series of similarly vapid flashbacks offer little in the way of relief.
The Guardian by Peter Bradshaw
This is a diffuse film, and lacks Afterlife's clinching motif. It is uncertain in both its tone and its message - if, indeed, any such message exists, or even needs to.... There is something melancholy and resonant about this film, and it has its own subtle, unsettling effect. [22 Aug 2001, p.12]
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