Their use of multiple formats-including digital video, Super 8, and 35-millimeter slides-gives the movie the texture of a worn scrapbook.
Stream I Travel Because I Have to, I Come Back Because I Love You
What are people saying?
What are critics saying?
80
91
The visual collage retains a consistent melancholy, resulting in an experience that's both deeply affecting and-since José never actually appears on-camera-utterly detached.
80
The New York Times by Jeannette Catsoulis
Coming in at a tight 75 minutes, this strikingly original travelogue glides on the lovely lilt of Mr. Santos's Portuguese narration.
80
Boxoffice Magazine by John P. McCarthy
Has a stirring elemental feel and constitutes filmmaking at its most basic and transfixing.