50
The New York Times by Ben Kenigsberg
A road movie of sorts, it steers clear of melodrama or sentimentality, but it also never risks hitting anything.
What are people saying?
What are critics saying?
80
The story works largely on the level of metaphor, but it’s never overbearing or suffocating; there’s life here. A lot of credit should go to the actors, particularly the lead. As the film moves along, García’s face seems to change dramatically.
50
Slant Magazine by Clayton Dillard
As two-handers go, the film has a moderately compelling pair of performances at its center, with Claudio Rissi’s take on a fun-loving road warrior providing an amusing, if obvious, counterpoint to Paulina García’s reserved homebody.
80
The Hollywood Reporter by David Rooney
The spareness of both the physical and emotional landscapes yields something quite delicate in a film with the grace and economy of a satisfying short story.
50
RogerEbert.com by Godfrey Cheshire
With a road movie story that aims toward simplistic and rather formulaic romantic wish-fulfillment, it offers some interesting scenery, but its main attraction is another estimable performance by the talented Garcia.
80
It’s a loving showcase for its star’s most finely wrought powers of expression, but equally beguiling as a display of its first-time helmers’ gentle observational acuity and surprisingly inventive visual storytelling.
83
“Bride” is remarkable for how honestly it earns every tiny tick of pleasure it gives — for it gives many.
80
Screen International by Lee Marshall
A film that is a small delight, a perfect cinematic short story.
80
Los Angeles Times by Robert Abele
The Desert Bride is nothing complicated, but in its unforced humanity, visually poetic landscapes and agreeably metaphoric storytelling suggests the intimate pleasures of a well-turned short story.