Gloria

Slant Magazine by

With its compelling and original approach to its romance narrative, coupled with Paulina García's nuanced and intuitive performance, the film delicately balances an entire octave of emotions.

The New Yorker by David Denby

At the end of the movie, when Gloria looks at herself appraisingly in a mirror, we seem to be seeing her for the first time. [20 Jan. 2014, p.79]

Empire by David Parkinson

The mesmerising García and sensitive direction by Lelio light up this delicate yet spiky drama. Terrific stuff from both Chileans.

The Hollywood Reporter by David Rooney

Gloria is a work of maturity, depth and emotional insight. There’s not a single false note here.

Time Out London by Geoff Andrew

Though it’s most successful as a character study, the movie also works as an unusually honest variation on the traditional cinematic love story (it rings especially true on the difficulties of starting over after years of settled family life).

The Playlist by Jessica Kiang

Gloria is an endlessly watchable creation—a wonderful example of an actress melting into a role, and a co-writer/director with almost superhuman levels of sensitivity and empathy for his characters.

The Guardian by Peter Bradshaw

Gloria is a sad, painful romantic story.

Film.com by Stephanie Zacharek

I recently heard someone describe Gloria as a midlife-crisis drama, which stunned me. In the most convenient terms, I guess that’s what it is. But what Lelio and Garcia pull off here is so delicate and sturdy that it defies such easy categorization.

Total Film by Tom Dawson

Sticking tightly to its heroine’s everyday routines and rituals, this deft blend of humour and pathos fully earns its defiantly upbeat dance-floor denouement.