An impressive first feature from Melvin Van Peebles has a black American soldier, Baird, stationed in France and visiting Paris on a three-day pass.
What are people saying?
What are critics saying?
Los Angeles Times by Kevin Thomas
Just as Baird is sustained by his self-mockery, this tender and witty film is saved from sentimentality by its satirical edge. [19 Apr 1998, p.3]
The New Yorker by Richard Brody
It’s among the great American films of the sixties—including Juleen Compton’s Stranded and Jim McBride’s David Holzman’s Diary—that display the global reach of that Paris-centered movement.
Philadelphia Inquirer by Steven Rea
A sad and funny examination of issues of racial subjugation, cultural stereotypes and sexual mores. Although some of its filmmaking techniques seem naive and anachronistic now, there is much that is bold, inventive and poignant about Van Peebles' feature debut. [09 Nov 1994, p.E01]