60
Memory is a well-made if uninspired action flick that forges an interesting new take on the genre… then forgets all about it.
What are people saying?
What are critics saying?
0
Memory often feels more like a direct-to-video threequel than an actual movie.
60
Arizona Republic by Bill Goodykoontz
Memory is a good-enough movie that could have been a lot better. Neeson is to thank for most of the good. Turns out he, like his characters, does have a particular set of skills. They involve acting.
50
The A.V. Club by Luke Y. Thompson
It’d be nice to think that the forgettable nature of Memory was a deliberate irony. Then we could grant it bonus points for cleverness, rather than an average grade for just being bland.
50
San Francisco Chronicle by Mick LaSalle
Neeson also does a good job tracing his character’s cognitive deterioration over the course of the movie. As such, Memory is like a hybrid, mixing serious sections with Neeson’s usual action stuff. Call it a little bit of this and a little bit of that, or not enough of this and not enough of that.
25
It is an absurd premise, one made even more so by its execution, which at the hands of veteran Hollywood thriller director Martin Campbell (the one-time director of Bond films who has been in movie jail since 2011’s Green Lantern) is often lackluster and, on occasion, shockingly inept.
50
In the end, “Memory” isn’t terribly convincing, but it’s at least trying for something more serious than most.
75
Chicago Sun-Times by Richard Roeper
Neeson never phones in his performances, but he’s particularly invested this time around, playing a guy who can be a pure killing machine one moment, and as lost as a child the next. Pearce and Bellucci headline the terrific supporting cast, and the 78-year-old Campbell proves he can still direct the hell out of a slick and engrossing thriller.
50
It’s still a half-decent movie, closer to Neeson’s late-career “Taken” peak than his most recent films. But if he’s letting the audience see the writing on the wall, it might be time for him to stop and read it, too.
40
The Hollywood Reporter by Sheri Linden
Matching the screenplay’s lack of nuance, Campbell (Casino Royale, The Protégé) orchestrates the proceedings with a flat efficacy, stringing together familiar action beats and churning up little that rings true.