Neither a stimulating satire nor a serious exposure of the operations of the finance industry.
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What are critics saying?
Will connect with anyone who ever had a bad experience with a bank or finance company, and provides a satisfyingly loathsome character in Anthony LaPaglia's engaging protrayal of a corporate shark.
Like "Wall Street" before it, The Bank never amounts to more than a glossy comic book, and first-time writer-director Robert Connolly stumbles with his plotting and his direction of Wenham.
Los Angeles Times by Kevin Thomas
The sleek, well-oiled, well-acted The Bank, while as meaty as a steak, is short on sizzle.
TV Guide Magazine by Maitland McDonagh
Though the script's twists and turns are fairly conventional and the Davis subplot is handled in an awkwardly obvious way, first-time feature filmmaker Robert Connolly understands the power of style.
The Bank, despite its faulty finale, is a fun and thrilling ride.
Seattle Post-Intelligencer by Paula Nechak
The film is not without its flaws, but it sports a terrific production design that integrates magically into the story -- as well as another top-notch performance by Anthony LaPaglia.
The New York Times by Stephen Holden
The upshot is a whopper of an ending that is as silly as it is satisfying.
Handsomely shot and edited, The Bank benefits greatly from the brutal ministrations of LaPaglia,