The near-slapstick escapes sit uneasily with the raw bits of very adult sex and cringe-worthy close-ups of brutality that dominate the rest of the proceedings.
What are people saying?
What are critics saying?
The first major motion picture to come out of Congo in decades happens to be one of the best neonoirs from anywhere in recent memory.
The New York Times by Jeannette Catsoulis
Repackaging the revenge thriller in parakeet colors and distinctive African beats, the Congolese writer and director Djo Tunda Wa Munga gives Viva Riva! a playful sensuality that goes a long way toward disguising formula.
New York Daily News by Joe Neumaier
Unfortunately, despite the sweaty, tense atmosphere, Viva Riva becomes derivative of the duller scenes in other gangster flicks.
Portland Oregonian by Marc Mohan
Digitally shot, the film looks great, and the performances ooze charisma. The biggest star, though, may be Kinshasa itself, a roiling, barely cohesive sea of humanity that seems as if it could serve as a backdrop for some fascinating films for years to come.
Village Voice by Melissa Anderson
The first from the Democratic Republic of Congo to be distributed in the U.S. That in itself is worthy of some kind of celebration, even if Viva Riva! too lazily indulges in shapeless genre excess.
Los Angeles Times by Robert Abele
As gut-punch storytelling, Viva Riva! delivers much, not the least of which is the promise of an exciting new filmmaking talent.
Boxoffice Magazine by Tim Cogshell
It takes from American gangster classics ("White Heat" and both "Scarface" films come to mind) but its unique setting and underlying themes give it distinction.