Piccadilly

Christian Science Monitor by David Sterritt

Wong has acquired a loyal cult following over the years, and Dupont's exquisitely filmed episodes show why.

Village Voice by J. Hoberman

Wong is sensationally expressive and projects a modern, coolly appraising sexuality. Visually eloquent and often dazzling, the movie is no less terrific. Piccadilly is both evidence of silent cinema at its rudely aborted peak and Wong's frustrated potential to have been among its greatest stars.

Boston Globe by Janice Page

As casually insensitive and careless as you might expect from a film of this era, but it's also surprisingly crafty about finding ways to incite discussion

Chicago Reader by Jonathan Rosenbaum

This remarkable British silent (1929) is special in many ways.

Miami Herald by Marta Barber

Film students should be thankful that companies such as Milestone Film & Video have taken up the distribution and restoration of important silent films, and that universities and museums have decided to screen these obscure classics.

Chicago Tribune by Michael Wilmington

German emigre Dupont directs all this with the style, flair and tension he brought to his 1925 Emil Jannings classic, "Variety." But it is Wong, shimmering with charisma, who gives Piccadilly its unforgettable center.

Seattle Post-Intelligencer by William Arnold

I found it a surprisingly elegant entertainment: fast-paced, cogently written (by noted English author Arnold Bennett), well-cast (including a bit by a young Charles Laughton) and stylishly photographed on a gallery of stunning deco sets.