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Son of Saul(Saul fia)

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Hungary · 2015
Rated R · 1h 47m
Director László Nemes
Starring Géza Röhrig, Levente Molnár, Urs Rechn, Todd Charmont
Genre Drama, Thriller, War

In 1944 Auschwitz, Saul, a prisoner, is forced to work in the concentration camp's gas chambers. One day, Saul discovers a boy who he assumes to be his son, and insists on giving him a proper burial. What follows is a tireless, inspiring journey of justice and faith.

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What are critics saying?

90

Screen International by

Using techniques of distanciation that sometimes make it an alienating, even confusing experience, László Nemes’s cogent, strikingly confident debut is harrowing, but cinematically rewarding.

80

The Hollywood Reporter by Boyd van Hoeij

Utterly uneasy to watch but strikingly and confidently assembled, the film is a powerful aural and visual experience that doesn’t quite manage to sustain itself over the course of its running time, but is a remarkable — and remarkably intense — experience nonetheless.

91

IndieWire by Eric Kohn

A remarkable refashioning of the Holocaust drama that reignites the setting with extraordinary immediacy, Son of Saul is both terrifying to watch and too gripping in its moment-to-moment to look away.

100

Hitfix by Gregory Ellwood

In terms of filmmaking prowess, "remarkable" may not do Laszlo Nemes' holocaust drama "Son of Saul" justice.

100

CineVue by John Bleasdale

Son of Saul is not simply a good film, it feels like an urgent and important one, a warning from history.

90

Variety by Justin Chang

The result is as grim and unyielding a depiction of the Holocaust as has yet been made on that cinematically overworked subject — a masterful exercise in narrative deprivation and sensory overload that recasts familiar horrors in daringly existential terms.

83

The Playlist by Oliver Lyttelton

Though it has a few elements of its construction that might be questionable, it's mostly a powerful, thoughtful, and visually striking picture.

80

The Telegraph by Tim Robey

It’s almost too ruthless an achievement for its own good, in a way. It pushes its vision to the bitter end, eschewing emotion, reflection, or intellectual framing as if banned at gunpoint from any such lapses. But these are the very dehumanising conditions Saul is dealing with, and the film’s brave choice is to follow them to the letter.

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