Catch The Fair One is a fantastic and engaging effort across the board. The direction is lean and ably brings forth the emotional truth of each scene.
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Despite — or perhaps because of — how evocative Reis’ performance can be, Catch the Fair One asks her to fill in too many of its blanks.
Poignant and raw, the film is effective in all the ways it should be. While it does a better job engaging with its revenge-fueled storyline in lieu of a more familial exploration in the wake of the tragedy, the film still manages to land a heart wrenching blow.
The Film Stage by Michael Frank
Wladyka’s film is always gripping, always searching, and always testing the boundaries of its protagonist and its audience.
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By the waning minutes, when the film’s glimmering neorealism energy returns, cleansing the abrupt conclusion with a spellbound spirituality, Wladyka has assuredly provided a distinct vision that pulses to potent degrees.
Much of Catch The Fair One’s lean authenticity comes from the film’s star (and real-life boxer) Kali Reis, who also gets a story credit on this picture. It’s a propulsive watch but, in common with many of the missing-person stories which inspired it, finds more dead-ends than answers.