There’s no denying El Cid‘s lucid grandeur as it reaches its famous climax, a simultaneously triumphant and tragic portrait of the warrior as corpse that, like the best of Mann’s work, never neglects the human toll of heroism.
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The New York Times by Bosley Crowther
It is hard to remember a picture in which the sheer pictorial punch was greater than it is in this three-hour exhibition of kings and warriors in medieval Spain.
One of Heston's best work, this shows our lead at his most macho and heroic, inspiring a whole army while also managing to woo the stunning Loren in this romantic war epic.
ReelViews by James Berardinelli
El Cid is about as self-important as a motion picture can be. Regardless, there are still moments of breathtaking, almost transcendant splendor, when the film makers attain the grand aspirations they strive for.
It's tough to dismiss a film that succeeds so well at producing spectacle, and it's hard to miss the contemporary parallels in its simple, tortuously protracted story.
Los Angeles Times by Michael Wilmington
It's an ode to heroism, idealism and romance that still sweeps us away.
Washington Post by Richard Harrington
It's overly long and it's overly melodramatic, but it's also a perfect example of the kind of film they just don't make anymore, because they can't.