Takes the standard gangster movie template and blasts it out of the water.
What are people saying?
What are critics saying?
The A.V. Club by Ignatiy Vishnevetsky
Of all the great actor/directors, Kitano has probably come the closest to creating a style that parallels his approach to acting.
Slant Magazine by Jesse Cataldo
If Takeshi Kitano does go forward with the rumored third volume, hopefully he'll conceive of some fresh angle on this increasingly dry material.
The film lacks any kind of human interest, relying instead on our inferred love of lengthy strategy sessions and displays of ruffled pride. When it comes to yakuza cinema, you can do better.
Beyond Outrage fails to live up to its title as Japanese superstar Takeshi Kitano can’t find much in the way of fresh ideas for the genre.
RogerEbert.com by Matt Zoller Seitz
Unfortunately, early hints that the the actor-filmmaker's latest will be a brilliant, bloody, sustained workplace satire don't pan out. This is an intelligently composed, crisply edited, sometimes amusing, but otherwise unremarkable cross/double cross gangster picture.
Kitano’s surreal autobiographical phase was maddening, but it’s depressing to see him stoop to giving audiences what he thinks they really want.
It's somewhat surprising to find the filmmaker's sequel marked by such a lack of urgency. The action here seems dutiful, devoid of the indignation at criminal vileness that seethed below Outrage's surface.
The New York Times by Nicolas Rapold
The strategy and strategizing of Beyond Outrage still feel like overkill (if you’ll pardon the expression).
McClatchy-Tribune News Service by Roger Moore
Beyond Outrage reaches above and beyond most Hollywood underworld movies to deliver a tale of righteous revenge doled out only after showing us how much it is deserved.