This upscale talkfest, which delights in its witty banter and sly references, could be helmer's most commercial work in quite some time.
What are people saying?
What are critics saying?
The New York Times by A.O. Scott
The ease and professionalism that distinguished this prolific director's later work is very much in evidence, as is an insouciant attitude, at once resigned and dismissive, toward mortality.
The New Yorker by Anthony Lane
This final film -- after so many dazzling studies of adultery, such as "La Femme Infidele (1969) -- is a touching and unfashionable hymn to married love. [1 Nov. 2010, p.121]
Inspector Bellamy is dedicated to the memory of two famous Georges: the drily ironic singer Brassens, and Georges Simenon, whose crime novels go for the jugular of bourgeois France - and dig deep into the black hearts of those who, just when they imagine they have hit bottom, can always sink lower.
Los Angeles Times by Gary Goldstein
Recently deceased master filmmaker Claude Chabrol's 50th and final feature, Inspector Bellamy, proves a sadly bland footnote to an illustrious and influential career.
It's an ostensive crime film at once symmetrical, surprising, and knowingly cinephilic.
Depardieu and Cornillac's sibling rivalry, which segues between mostly verbal smackdowns and liquored-up bursts of merriment, is beautifully observed, as is the relationship between the detective and his devoted wife (the wonderful Marie Bunel). The thriller stuff, by comparison, is just a lot of perfunctory deadweight.
Inspector Bellamy leaves a sense not unlike a summary of Chabrol's entire career -- of guilty stains seeping away in every direction, of motives hidden and of endless stories that frustrate full understanding. To Chabrol, no life is ever a closed case.
Entertainment Weekly by Owen Gleiberman
Depardieu and Marie Bunel (as Bellamy's wife) have a terrific interplay, but Chabrol's sharp direction can't quite rescue his fuzzy script.
Boxoffice Magazine by Richard Mowe
That sense of mischief and pleasure in the craft makes Bellamy a thoroughly intriguing and likeable experience. From Chabrol we would expect nothing less.