This warmly engaging film benefits from its understated approach (it suggests rather than spells out the political turmoil), and its light, comedic tone never mitigates the drama of the central story.
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What are critics saying?
The New York Times by A.O. Scott
The performances are charming and convincing, and Mr. Joelsas does a good job of conveying Mauro’s loneliness and confusion as well as his playfulness. The Year My Parents Went on Vacation may not be terribly fresh or original, but its warm, sweet, nostalgic tone is hard to dislike.
Sensitive, delicate and involving.
Hamburger's earnest effort offers interesting perspectives on Jewish life in South America's most populous city as well as the fate of political dissidents during a particularly dark period of Brazil's recent past.
Los Angeles Times by Kenneth Turan
A sweet and somber film that works hard to overcome its limitations.
One true gem is Daniela Piepszyk, Mauro's teen neighbor, who is a fireball and the leader of the neighborhood gang of boys. You can't take your eyes off her.
Chicago Tribune by Michael Phillips
Pulls you into a well-observed world and its characters.
Christian Science Monitor by Peter Rainer
Writer-director Cao Hamburger works well with child actors and has a spare, unforced style. But too much of this film is desultory and thin.
San Francisco Chronicle by Ruthe Stein
The filmmakers succeed with an unexpected ending. It's as fresh as everything in the movie, which turns out to be about so much more than one youngster's resilience.
The movie is stolen by 11-year-old Daniela Piepszyk as tomboy Hanna, one of Mauro's new friends. She has a face in a million.