75
There's a sliver of a plot to The Raid, but it's really not worth going over -- when the characters pause to talk, which is rare, it does tend to kill the film's momentum.
What are people saying?
What are critics saying?
100
There are moments when The Raid: Redemption doesn't feel like an action movie so much as pure action itself, delivered in strong, undiluted doses and with the sort of creative one-upmanship capable of rejuvenating a stale, seen-it-all genre.
91
American action movies are almost entirely defined by cutaways, blaring music cues and grunts. The Raid: Redemption, a hyper-energetic Indonesian martial arts movie, delivers an effective rebuke to that meek norm. Bones break, blood flows and swift, excessively complicated fight choreography puts virtually everything released in North America since "The Bourne Ultimatum" to instant shame.
80
Lean, fast-moving, and filled with game-changing fight sequences that have a brutally beautiful (or beautifully brutal) quality, Gareth Evans's Indonesian martial-arts film The Raid: Redemption lives up to its viral hype.
63
Slant Magazine by Jaime N. Christley
This mostly no-nonsense, floor-by-floor ass-kicking panorama is admirably humble.
63
Chicago Tribune by Michael Phillips
The Raid is maniacal in its pacing and assault tactics. It's also, absurdly, rated R. Fantastic. I love that a film this gory secured the same Motion Picture Association of America rating as "The King's Speech."
83
Gareth Evans' Indonesian martial-arts throwback The Raid: Redemption has a look and feel that resembles the best of '80s cult action movies: half John Carpenter, half John Woo.
67
Entertainment Weekly by Owen Gleiberman
I do wish that Evans were a better storyteller. When he isn't turning mad-dog violence into visual rock & roll, The Raid shreds narrative coherence to ribbons.
80
Taking the genre to a higher level of intensity, the Welsh-born Evans continues what he started in previous Indonesia-set actioner "Merantau," but this picture will seal his cult status.
25
Chicago Sun-Times by Roger Ebert
This film is about violence. All violence. Wall-to-wall violence. Against many of those walls, heads are pounded again and again into a pulpy mass. If I estimated the film has 10 minutes of dialogue, that would be generous.
No country does action better than Indonesia. The grimy setting and stomach-churning brutality of the relentless melee combat blows near every other movie on the water, while the indomitable endurance of star Iko Uwais cements him as an all-timer titan of action. Sure, the gun combat falters in comparison to the hand-to-hand combat but the real focus is on the violent artistry of fist, blade, and whatever random object happens to be lying around. The Raid and its sequel prove definitively there can be a kind of artistry to violence.