Though set in a divided country, it’s an effervescent period piece, edited with verve: Persiel combines recreations with archive footage, animation and home videos.
What are people saying?
What are critics saying?
It ain’t bad, though all that detritus detracts from a far more interesting history lesson on repression and rebellion that’s left on the periphery.
A fun and frothy mock-doc with a message buried in its axle.
While the film is deeply romantic and nostalgic, possessing a genuine reverence for youth and rebellion, it's also something of a tragedy.
This Ain't California is a masterful lie that illuminates a little-known reality.
The New York Times by Jeannette Catsoulis
Smartly incorporating Sasa Zivkovic’s sweet and simple animation, as well as an exhilarating, punk-infused soundtrack, Mr. Persiel extends the film’s appeal beyond hard-core skaters.
The Playlist by Kevin Jagernauth
Ultimately, This Ain't California is a movie powered by nostalgia, a propulsive kind of dreamy reflection to a time and place that may not have existed with events that might not have actually happened, but have all the reality of a life that was truly lived.
A trove of home videos, vintage commercial and propaganda footage and black-and-white animation dress up this energetic if somewhat unfocused look at the birth of skateboarding in the German Democratic Republic.
“Dogtown and Z-Boys” meets “The Lives of Others” in This Ain’t California, a spirited not-quite-documentary portrait of the skateboarding subculture that flourished in East Germany in the early 1980s.