A sort-of combination of "Lambs," "Batman Begins" and "The Joy of Cooking," Hannibal Rising ostensibly dramatizes the atrocities that turned Hannibal Lecter from loving child to serial killer. But this film is larded up with so many food references that I'm undecided whether this story belongs in a film compendium or a recipe file.
What are people saying?
What are critics saying?
ReelViews by James Berardinelli
The funniest movie of the year - a true laugh riot. Viewers will be holding their sides to contain the laughter. Forget Borat - if you're looking for something hilarious, this is the movie to see. What's that? It's not supposed to be a comedy. Oops.
The New York Times by Jeannette Catsoulis
Silly, slack and unforgivably tedious, Thomas Harris's screenplay is padded with interminable flashbacks and a bombastic score that telegraphs every emotion Hannibal represses. And there are a lot of them.
Gong Li is welcome as Hannibal's Japanese aunt-in-law/mentor, Gaspard Ulliel isn't a bad young Lecter and Webber's direction is intermittently classy -- but this is a footnote rather than a film.
The Hollywood Reporter by Michael Rechtshaffen
It's all quite a mess, with awkward performances, worse dialogue and a painfully protracted running time conspiring against any chance of enjoyment, even in a so-bad-it's-good guilty pleasure way.
Christian Science Monitor by Peter Rainer
Thomas Harris adapted his own bestseller and Peter Webber, who previously directed "Girl with a Pearl Earring," had the unenviable task of trying to give this glop, which is too gruesome to be campy, a high gloss. It should be called Man With a Severed Head.
Seattle Post-Intelligencer by Sean Axmaker
Not just a bad film, Hannibal Rising is downright dull, which is a far worse crime.
Washington Post by Stephen Hunter
The movie streamlines much of Harris's book. It's a shame, because it results in the movie's fundamental flaw -- the one-dimensionality of Hannibal.