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The Object of Beauty

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United Kingdom, United States · 1991
Rated R · 1h 43m
Director Michael Lindsay-Hogg
Starring John Malkovich, Andie MacDowell, Lolita Davidovich, Rudi Davies
Genre Comedy, Crime, Drama

Jake and Tina appear to be a jet-setting couple living the lush life in London. In reality, however, they're deeply in debt - the result of a business deal gone sour. In a desperate bid for cash, the pair hatches a plan to "steal" Tina's Henry Moore statue and collect the insurance on it.

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40

Time Out London by

Lindsay-Hogg wrote and directed this dull, static flounder, which exposes both MacDowell's limitations and Malkovich's withdrawal of labour.

60

Washington Post by Desson Thomson

It's really no pain to sit through Object. Even at its most drawn out, the movie has its comic moments. Malkovich makes a perfect, plastic-souled being.

40

Washington Post by Hal Hinson

Perhaps the shrewdest thing the filmmakers have done is call the film The Object of Beauty instead of A Thing of Beauty, which would make much more sense. By doing so they've removed what they must have known was a far-too-tempting opening for reviewers -- of saying A Thing of Beauty is not a joy forever. Even with the change, though, the sentiment fits.

70

Los Angeles Times by Kenneth Turan

An elegant farce written and directed by Michael Lindsay-Hogg. At first, frankly, The Object of Beauty is not as much fun as you might expect it to be, but ends up having more to offer both the audience and Tina and Jake than either we or they suspect. [12 April 1991, p.F1]

50

Austin Chronicle by Marjorie Baumgarten

The yuppie dream of an unencumbered life where style always exceeds substance is at the crux of The Object of Beauty. Partly likable and partly odious, your reaction may depend on whether, like the proverbial glass of water, you see their lives as half empty or half full.

88

Chicago Sun-Times by Roger Ebert

Like a John Cheever short story or a sociological snapshot by Tom Wolfe, The Object of Beauty is about people who have been so defined by their lifestyles that without those styles they scarcely exist.

70

The New York Times by Vincent Canby

The Object of Beauty might have been practically perfect escapist entertainment if the screenplay had been as smooth as the cast. Mr. Lindsay-Hogg has written some attractive characters and a lot of bright lines, but he needs a script doctor. He has let the plot confuse things.

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